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The Lit X Climate Visuals

Flash Fiction and Poetry Competition

In August 2020, we asked aspiring fiction writers and poets to submit their response to one of four photographs selected by the team at Climate Visuals, a project looking to create a richer, more informed visual language for climate change through photography. The work of six writers – responding to each of the photographs through storytelling or poetry – is published in Issue 3 of The Lit.

Climate Visuals is the world’s only evidence-backed project for climate change photography. Coupling international social research and industry insights, Climate Visuals aims to inspire visual communicators across the world, to move away from clichéd images of polar bears, melting ice caps and factories, to catalyse a new – more compelling and diverse – visual language for climate change.

The team at Climate Visuals works with a range of photographers to document the changes, impacts and responses to climate change around the world. Together, we have selected four images from four different photographers, exploring a variety of regions and communities around the world, and their relationship with the changing climate.

Solmaz Daryani, from The Eyes of Earth (The Death of Lake Urmia), Iran

Photo by Solmaz Daryani,
https://www.instagram.com/solmazdaryani/?hl=en

  • Lake Urmia – located in the northwest of Iran – was once the biggest salt lake in the Middle East.
  • Lake Urmia was once home to many birds, ducks, pelicans and flamingoes, as well as a popular destination for visitors.
  • During the past 20 years, climatic changes, intensive agriculture and dam construction have combined to transform the lake; approximately 80% of the lake has disappeared.
  • The Noah’s Ark was once the biggest pleasure boat on the lake.

Greg Kahn, from 3 Millimeters, Maryland, USA

Photo by Greg Kahn, Getty Images Climate Visuals Grant recipient, https://www.instagram.com/gregkahn/

  • The Eastern Shore of Maryland is a short drive from Washington D.C. Its position means it was one of the first landed shores for colonial settlers.
  • Sea levels here are rising twice as fast as the global average.
  • Gradient sea walls, vegetation re-nourishment and education are among the efforts seeking to preserve natural habitat and homes in some locations along the coast; in other places along Chesapeake Bay the rising sea levels are irreversible.
  • Property values have fallen sharply in the most vulnerable areas, some have retreated from homes as the marsh land expands.

Aji Styawan, from Drowning Land, Demak Regency, Indonesia

Photo by Aji Styawan, Getty Images Climate Visuals Grant recipient, https://www.instagram.com/ajistyawan/

  • The majority of the small islands among the 17,000 which make up the archipelago nation of Indonesia are only one meter above sea level.
  • In Demak Regency, Indonesia, local residents will spend around 5 to 10 million rupiahs a year to elevate their homes.
  • The ocean now engulfs thousands of hectares of land in some villages; farmers have become fishermen, as villagers have adapted to survive in different ways.
  • In a flooded public cemetery, the residents buried here are submerged by the rising sea that now surrounds their former homes.

Sophie Gerrard, The Flows, Caithness and Sutherland, Scotland

Photo by Sophie Gerrard, https://www.instagram.com/sophiegerrard/ 

  • Flow Country is a peatland in the far north of mainland Scotland. Peatlands, a rare and unique habitat across the globe, hold almost 30 per cent of all terrestrial carbon.
  • Scotland’s peatland is widely considered to be the largest expanse of blanket peat bog in the world and the principal terrestrial carbon store in the UK.
  • In the Flow Country, incentives to make productive use of the peatland led to extensive forestry which dried and degraded the ecosystem.
  • Canes are used to create dams that maintain water levels in the Flow Country, helping restore the natural habitat.

Winning poet

Michaela Moclair for Abrasion

Winning fiction writer

George Harrison for Holding Out

Shortlisted poets

Clare Dwyer for Flow Country

Keiran Potter for Stolen Sugar

Shortlisted fiction writers

Clare Elwell for Salt Lakes

Sinead Price for Captain of the Sea

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